You can buy our digital sheet music at NewMusicalTheatre.com. You can buy our print songbook at Amazon.com. You can buy our albums on iTunes or Amazon. Anything that is not professionally mixed and mastered, we stream from our site. These are demos and while the performances are often brilliant, they are not for sale - out of respect for the actors. We’re are constantly working to create an exhaustive database of songs that we’ve written including video, lyrics, and mp3s when available. You can listen to or watch these videos anytime here.

If you bought sheet music from us or NewMusicalTheatre.com, you don’t need our permission to perform our material in educational, amateur, audition or personal contexts. If your vocal or thespian competition requires a permission slip, however, then you’re free to request one from us by emailing inquiries[at]kerrigan-lowdermilk.com. Please allow 2 weeks turnaround – we will email you permission, which always seems to work. We are unable to fax or mail permission slips.

Maybe. We love working with students at high schools and colleges - talk to your professors and teachers about it. We require transportation to and from NYC and housing if it’s far away, and there’s an artist fee. You can book us through our booking agent Rachel Zeidman.

Several of our shows are available for licensing. Check individual show pages for licensing details and links. For general licensing inquiries, contact our theatrical agent Seth Glewen at Gersh.

We created karaoke tracks for our first album! You can use them here for free. We also have karaoke tracks for The Mad Ones and for all of the songs from our #New2YouTube contest, available for free here. Otherwise, we don’t have any other karaoke tracks for any other songs including “My Party Dress.” When we do, we’ll tell you.

You know how you wrote that paper in high school? Maybe freshman year, maybe sophomore year, and it was the best paper you ever wrote. You were so proud you showed it to your mom. Then six months later your mom shows it to your grandmother, or worse, someone you’re dating, and all you can remember is misspelling the word relief r-e-l-e-i-f. You realize you didn’t follow through on that line of psychoanalytic questioning that was going to lead you to the Nobel Prize some day. And you’re so embarrassed. And they’re like, “This paper is fine, you shouldn’t be that embarrassed.” And you’re like, “That’s not the point — I wrote this paper about Magical Realism this year that’s so much better. Read that.” And they’re like, “No, I read this one and it’s fine. I can tell that you’re not bad at writing papers but I don’t need to read any others.” It’s over.

In a less dramatic way, this is how Bree feels about the songs she wrote when she was younger. There are many songs that Kait and Bree wrote together that they don’t have on the website either. They don’t want you to hear a song on the website and be like “Eh. It’s fine but I don’t need to hear another.” So they err on the side of too little.